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Research article
First published online March 8, 2016

Why literature students should practise life writing

Abstract

This article considers our experiences teaching a hybrid literature/creative writing subject called “Life Writing.” We consider the value of literature students engaging in creative writing practice—in this instance, the nonfiction subgenre of life writing—as part of their critical literary studies. We argue that in practicing life writing, our literature students are exposed to and gain wider perspective on the practical, critical, creative, and ethical issues that arise from working with literary texts. Such an approach is not with risk. As we discuss in this article, life writing texts can often narrate difficult or traumatic material. However, we want to show how life writing, with its particular focus on actual lives and lived experience, creates a particularly conducive ethical, intellectual, and creative space for learning about and practicing writing.

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Biographies

Kylie Cardell is a Senior Lecturer in the School of Humanities and Creative Arts at Flinders University. She is the author of Dear World: Contemporary Uses of the Diary (2014) and, with Kate Douglas, editor of Telling Tales: Autobiographies of Childhood and Youth (2015).
Kate Douglas is an Associate Professor in the School of Humanities and Creative Arts at Flinders University. She is the author of Contesting Childhood: Autobiography, Trauma and Memory (Rutgers, 2010) and the co-author (with Anna Poletti) of the forthcoming Life Narratives and Youth Culture: Representation, Agency and Participation (Palgrave 2016).